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Memphis May Fire is an American metalcore band currently based in Dallas, Texas. Since its formation, the band has released two EPs and three full-length albums, the latest being Challenger which was released June 2012. Their music has been compared to Underoath and He Is Legend. The band formed in December 2006, but it was not until February 2007 that the group decided on the name Memphis May Fire having previously gone by O Captain, My Captain!
Read more about Memphis May Fire on Last.fm.
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Alejandro Sanz, born Alejandro Sánchez Pizarro on December 18, 1968 in Madrid, is an Award winning, Spanish pop/ballad musician and singer-songwriter who has won a record 17 Latin Grammys, more than any other Spanish musician in history. He has sold more than 25 million albums worldwide.
Alejandro Sanz is the second son of MarÃa Pizarro Medina from Alcalá de los Gazules, and Jesús Sánchez Madero from Algeciras, Spain. He began playing guitar at the age of seven and composing his first songs three years later. The young musician started attending management classes after moving from the neighborhood of Pueblo Nuevo to Moratalaz.
At the age of 16, Alejandro Sanz recorded Los Chulos Son Pa’ Cuidarlos. However, his official debut, called Viviendo Deprisa, came in 1991 after signing up with Warner Music. Si Tú Me Miras followed in 1993, featuring contributions from Nacho Mañó, Chris Cameron and Paco de LucÃa. His third album, aptly titled 3, was recorded in Venice, Italy, and produced by Miguel Angel Arenas and Emanuele Ruffinengo.
1997’s Más and 2000’s El Alma Al Aire, the Spanish singer/songwriter achieved international top-selling status.
He also appeared in the film clip for The Corrs’ English translation of their duet, “Una Noche” (“One Night”) as Andrea’s love interest. The video is included in The Corrs’ DVD version of Best of The Corrs. In return, The Corrs sang “The Hardest Day” with him.
In 2001, he became the first artist from in recording an Unplugged for MTV.
In 2003, he recorded the album No Es Lo Mismo, which won four 2004 Latin Grammy Awards. It won Record Of The Year, Album Of The Year, Song Of The Year, and Best Engineered Album with Mick Guzauski, Pepo Sherman, and Rafa Sardina as engineers.
In 2005, Sanz worked with Shakira in the hit single “La Tortura”.
On September 25, 2006, Sanz released the song “A La Primera Persona”. It was the first single from his new album El Tren de los Momentos which was ultimately released in November 7, 2006. The album also produced another hit duet with Shakira titled Te lo Agradezco, Pero No.
Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
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Stanley Jordan came to prominence with the release of his 1985 debut album Magic Touch, a revolutionary project that dually placed him at the forefront of re-launching legendary Blue Note Records into a contemporary entity in jazz and beyond, as well as establishing the then-twenty-something Jordan as among the most distinctive and refreshing new voices of the electric guitar. Key to Jordan’s fast-track acclaim was his mastery of a special "tapping" technique on the guitar’s fret board instead of conventional strumming and picking.
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Trapt is an alternative band from Los Gatos, California. The band formed in 1995, after meeting in high school, with members: Chris Taylor Brown (vocalist), Simon Ormandy (guitarist), Peter Charrell (bassist) and David Stege (drummer) and recorded the albums ‘Amalgamation’ and ‘Glimpse’ to sell at local shows. After several rehearsal absences and negative feedback the band decided to let David go. While attempting to find a suitable replacement, the band signed to Warner Bros. Records and began recording their debut self-titled album.
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1) Multi-instrumentalist Chris Cohen has done time with Deerhoof, Haunted Graffiti, Cass McCombs, White Magic, and Danielson — now he’s embarking on a new solo project under the Captured Tracks umbrella. After releasing a number of albums as Curtains, this fall he restarts with a new LP, Overgrown Path, out September 25 (2012), which includes the subtly psychedelic pop song, "Caller No. 99."
2) Chris Cohen is fast becoming one of the most talked about new comedians in the UK.
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It’s hard to pinpoint the moment that songs are born, the day casual hummers become singers or scribblers become songwriters. Rayland Baxter certainly can’t, and he wouldn’t want to. Though he grew up in Nashville to the sounds of his father’s pedal steel, he didn’t dream of being a rock star. He loved music, of course, but he liked other things, too: being outside, playing sports, working at the bait shop to make spare change.
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With one of her first singles turning into a national hit, 1962’s "Let Me Down Easy", Detroit-raised LaVette would seem a natural soul star, but she was never able to cut an album deal. In 1972 her album A Child of the Seventies was shelved by Atlantic Records, then thought lost forever in a fire. She eked out a living on the European festival circuit, occasionally surfacing such as with the disco single "Doin’ the Best that I Can"…
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Air Supply is an Australian soft rock duo, consisting of Graham Russell as guitarist and singer-songwriter and Russell Hitchcock as lead vocalist. They had a succession of hits worldwide, including eight Top Ten hits in the United States, in the early 1980s. They formed in Melbourne, Australia in 1975 and have included various accompanying musicians and singers. The two met in May 1975 while performing in the Australian production of the Andrew Lloyd Webber/Tim Rice musical, Jesus Christ Superstar.
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DAVID CROWDER*BAND was a Dove Award-winning six-piece, crafts compelling, inimitably progressive electronic rock. The band began when David Crowder from Texarkana, Texas, realized that almost half of the students at Baylor University were not attending church, which he found surprising since it is a Christian university. He and Chris Seay started University Baptist Church (Waco, Texas, United States) in 1995 while he was still a student. Crowder led worship there and continued to do so throughout the year. The church’s congregation grew, as did the band’s lineup.
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After an eventful year on the charts and on the road, GRAMMY-Award winning Zac Brown Band has proven that "overnight success" can be years in the making. New fans drawn by the irresistible hit singles, the awe-inspiring musicianship and dynamic live shows might have thought the Zac Brown Band emerged from nowhere. In fact, the band has paid its dues for years and put in its time for just this moment. It may have happened quickly, but it’s definitely built to last.
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One Drop from San Diego, California embraces the spirit of classic Roots Reggae and Dub music with a calculated blend of R&B, Pop and Rock subtleties. Inspired by artists like Steel Pulse, Gregory Isaacs and The Police. One Drop’s music is infectious and well received by a wide range of age and cultural demographics. Critics describe their sound as genuine and captivating, filled with melodic choruses, refreshing vintage guitar/organ tones all cleverly layered over seductive bass lines.
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Perpetual Groove did not exist as it does now in the very beginning of its life. This story begins on the steps of the Savannah Civic Center, where Brock Butler met Adam Perry after freshman orientation at the Savannah College of Art & Design. A few yards away was their dormitory, The Oglethorpe House. This would be the site of their first jams together and many late night sessions with the other band members.
Adam & Brock immediately hit it off and soon began the search for the other pieces needed to form some sort of workable band. Joe Stickney and Brett Hinton were added to the collective shortly thereafter on drums and keys, respectively. Soon after, everyone began taking the first steps to writing music together. The four friends would spend their freshman year in school seeking out the sounds of Perpetual Groove in their dorm rooms, much to the dismay of their neighbors.
After spending their first year in the dormitory, Brock, Adam, Brett, and Joe decided to move out of the city and out to Tybee beach, offering not just a change in locale, but also more space and privacy to develop the band. In what would later be referred to as The Elephant House days, the quartet took the first steps together in documenting the Perpetual Groove sound as it was born, putting together their first official recording. This demo would become known as the “Jungle Funk Demo.” Among the compositions included on this tape were Simple Pleasure Man, Echo, Funk Kitchen, Sitting In The Ghetto, Mota, Nocean, and The March of Gibbles Army. This tape offers the earliest known recordings of the Perpetual Groove sound.
The band did some very light touring through 1999, with stops at the original Wherehouse in Charleston, SC, The Music Farm, and The Brandyhouse in Atlanta. Their real home however, was J.J. Cagney’s, the local bar for their friends and one of the only places in Savannah to feature live music all week. Touring was made difficult by everyone’s commitment to school and part time jobs, so playing locally was an easy way to make a little money and hone their skills.
Brock and Adam were both minors in sound engineering at The Savannah College of Art & Design when they decided to utilize the school’s studios and equipment to record the very first Perpetual Groove studio album. This album which is simply called Perpetual Groove featured eight tracks, all of which are still in rotation today except for two, “Galaxy Soup” & “Dionysus.” Only five hundred copies of the album were pressed and it quickly sold out in Savannah and Charleston.
Unfortunately, by this time, graduation was looming and the band found they were facing an uncertain future, with careers calling outside of Savannah. Joe and Brett both left the band to pursue other roads of employment, leaving Adam and Brock behind in Savannah. This left Perpetual Groove only half complete and more to the point, dead in the water.
In the period following the dissolve of the original line-up, Brock and Adam set out to continue making music together. Sharing a house on Wilmington Island, the two musicians spent time writing, playing, and putting together ideas for new projects. Both hosted the open mic night at J.J. Cagney’s every Tuesday with a few other local musicians as a way to help pay the bills and get a chance to jam with other musicians. Brock also began a long stint of Sunday nights at The Mellow Mushroom, developing his solo act while still performing original Perpetual Groove material.
It’s 2001 and Brock Butler and Adam Perry are working through their summer with various jobs, including hosting the open mic night at local music shack, J.J. Cagney’s. It was at one of these open mic nights that Brock and Adam met their future band mates, Albert Suttle and Matt McDonald. The pair took the stage together for the first time in the early months of the summer, and it quickly became a regular occurrence on open mic night to see Matt and Albert jamming alongside Adam and Brock.
The quartet was asked by the owner of Cagney’s to play a special Grateful Dead Tribute Show on the anniversary of Jerry Garcia’s passing. Realizing the potential, the quartet began playing more and more together, searching out the sounds that would become Perpetual Groove as you know them today. By the time August rolled around, the four individuals stood together as a band for the first time.
Due to employment obligations with United States Army, Albert and Matt were both limited to a light/local touring schedule for the fall of 2001, and when 9/11 occurred, it changed their touring outlook drastically. Throughout the fall it was not uncommon for one or the other to have to report for duty in the wee hours of the morning immediately following a show. It was also along this time that the band befriended future manager, Ben Ferguson. Ben quickly sold the band on his long-term vision of the future and things began to take a serious turn.
It was during the early months of 2002 that the band really started to develop their sound and stage presence as a whole. Tim Fallin, who was running sound for the band, was joined by Ben’s longtime friend Jason Huffer, and slowly the makings of a crew was apparent. The percussion team started to really connect and Brock and Matt both found comfortable realms for the noises they were creating. New material was slowly creeping into the setlists, written together for the first time. Each member continued to evolve their sounds as new gear was tried, purchased, and then traded again, until the right tones came together.
A lot of important advances were made during the winter months of 01 and 02. The band made their first foray into Atlanta in December and quickly befriended local scenesters C. Robie and The Dunhams. It was through The Dunhams that the band really started to build a strong Atlanta following, which was highlighted early on by their appearance at The Annual Music Midtown Fest. The music was starting to roll and it was time to get the other aspects of the band into motion, namely promotions.
It was decided early on that the best way to get the name out without an album was to hand out free live CDs. The marketing approach worked and the band started seeing more and more people coming out to their shows. Still touring lightly, the band decided it was time to start looking for another piece of the big puzzle, a booking agency. We were introduced to Degy Booking and Chad Denney through our friends The Dunhams. Everyone instantly hit it off with Chad and starting working with Degy exclusively in the fall of 2002. Making their way into the world of full time touring….
One year after forming, Perpetual Groove was taking the steps to becoming a full time touring band. Chad and Ben had put together an aggressive touring schedule and plan, focusing largely on building the Southeast fanbase. The band gigged regularly from at least Thursday through Saturday for the better part of the fall picking up more and more fans in each new market they performed. However, one thing was still missing, an album.
Through some Atlanta friends, the members of Perpetual Groove had befriended Mark Michaelson, the owner of a local studio. It was at his studio that the band decided to record their first album together, Sweet Oblivious Antidote. Although the album was recorded in July, it would not be released for another six months.
In September of 2002, the band made their first appearance at the Georgia Harvest Festival, with an early main stage slot and an evening slot on a mud-ridden second stage. It would mark the first real festival appearance for the band as well as the first true gathering of what was slowly becoming a solid fanbase. However, the real moment came on Saturday night with the help of Jeff Dunham who put together a late night performance for Perpetual Groove which won critical acclaim and allowed the band to truly showcase their unique style of jam. This performance helped solidify Perpetual Groove as a band to be reckoned with in the Southeast. With Harvest Fest behind them, Perpetual Groove embarked on their first ever tour outside the Southeast, heading up to the Midwest for a short two week tour. The band closed out 2002 with a sold out performance at The Georgia Theatre on New Year’s Eve with good friends Moonshine Still.
As 2003 turned, the band gigged harder then ever before, playing sometimes almost five days a week in support of their new album, which was released in late January. Though mostly performing in the Southeast, they were presented with the opportunity of supporting The Big Wu on their Spring Northeast tour. It would be their first time in the area, as well as a return trip to the Midwest. The band continued to grow as did their fanbase, and by the time summer came around, they were ready to expand their territory even more.
The band’s first National tour would begin in June of 2003, with two grueling months on the road, numerous festival plays, including their first High Sierra and Berkfest appearances and tour stops from California all the way to New York. In just a little under a year, the band had managed to log almost 70,000 miles on their new van. Summer turned to Fall and in the blink of an eye, 2003 was almost gone. The end of the year was commemorated by their first appearance at the Historic Lucas Theatre in Savannah, GA for their New Year’s Eve show.
Of course, this story has no end in sight, and as 2004 moves along, the band is still at it, cultivating a national fanbase and refining their craft. A few tweaks here, some changes there, and you have the band has they exist today. The departure of Tim Fallin as front of house engineer has been the biggest change of the year, but with endings come new beginnings. Michael Gaster joined the crew in February of 04 as front of house engineer and production manager and continues to add more and more to the Perpetual Groove show as each month passes.
For more up to date accounts of what is happening with Perpetual Groove, go see them live!
– From pgroove.com Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
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The Rolling Stones are an English rock group, formed in London in 1962. First popular in Europe, they quickly became successful in North America during the "British Invasion" of the mid 1960s. Since then, their worldwide sales are estimated at more than 200 million albums. In 1989, they were inducted into the Rock and Roll Hall of Fame, and in 2004, they ranked number 4 in Rolling Stone magazine’s 100 Greatest Artists of All Time.
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Joe Budden (born August 31, 1980 in Spanish Harlem, New York) is a rapper from Jersey City, New Jersey. In recent years he has come to prominence as one of the most skilled and sought-for rappers in the game, despite his best work being on the internet mixtape circuit. His music initially gained popularity on New York City’s famous mixtape circuit in 2002. Although his biggest mainstream hit to-date is 2003’s up-tempo "Pump It Up," Budden is known for his reflective and often insecure lyrics.
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Formed in early 2010, little hurricane is a boy/girl down and dirty blues duo from San Diego, California, USA. They were voted Best New Artist in San Diego in 2010. Their debut album is titled Homewrecker (2011). little hurricane is a whirlwind of sound that’s gaining momentum in the San Diego music scene. Formed in early 2010, little hurricane began when frontman Anthony "Tone" Catalano (Guitar & Vocals), and Celeste "C.C." Spina (Drums & Vocals) met via Craigslist, where they found a common interest in unique and vintage equipment, and a love of grimy, down and dirty blues.
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Aaron Charles Carter (born December 7, 1987 Tampa, Florida) is an American singer and actor who came to fame as a pop and hip-hip singer in 1997 aged just 10. He is the younger brother of Backstreet Boys star Nick Carter. Carter began his performing career at the age of seven, as the lead singer of a local band, Dead End. He made his first solo appearance, singing a cover of The Jets’ Crush on You, when opening for the Backstreet Boys in Berlin in March 1997. The performance was followed by a record contract, and in the fall of 1997, he released his first single, "Crush on You".
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John Corabi (born on April 26, 1959 in Philadelphia, Pennsylvania) is a heavy metal singer and guitarist who has worked with such bands as Angora, The Scream, Mötley Crüe, Union and ESP (both with former KISS lead guitarist Bruce Kulick), Ratt (as a lead guitarist), Twenty 4 Seven (with his Ratt bandmate Bobby Blotzer), Zen Lunatic, Brides Of Destruction, and Angel City Outlaws (with his Ratt bandmates Robbie Crane and Bobby Blotzer, and former Ratt guitarist Keri Kelli).
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People believe in Kristen Kelly. Candid and down to earth, with a room-filling smile and a voice that echoes the heart of what she sings, Kristen laughs as she describes her music as “a little more grease than polish.” And that grease is an exciting mix, distilled from her country, blues, and classic rock influences into a passionate, playful, often sexy, and always heartfelt reflection of real life as she knows it.
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King’s X is an American hard rock / heavy metal band noted for its spiritual lyrics and sophisticated musical styles which include, but are not limited to, blues, progressive rock, grunge and psychedelic. The group traces its beginnings to 1980, when Doug Pinnick and Jerry Gaskill, who had previously met while recording and touring with Phil Keaggy and touring with the band Petra, recruited Ty Tabor to join them.
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When Slum Village emerged in the late 1990s, the highly regarded Detroit trio of T3, Baatin and Jay Dee made a startling admission: their group was a liquid association with members coming and going during the group’s evolution. True to their word, Slum Village has already gone through a number of line-up changes. Rapper-producer Jay Dee left after the group’s first national album, 2000’s Fantastic, Vol.
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